Next its fine tuning based on the two images open in WS (the FP image and the RAW image) Prior to saving the JPG in Film Pact I scanned each color in Film Pact and wrote down if its a plus 1 or a minus 1 (2 or 3) compared to the original.īack to WS I start adapting the colors as written down. Now the process developing the profile starts. Now I can open the Fuji Velvia 50 look in WS plus the original RAW file. I therefore have the original RAW plus a Fuji Velvia 50 look in the same folder. Then saved a JPEG into the RAW folder the image came from. I used DXO Film Pack 5 to develop a RAW file using this preset in Film Pack. I thought this would be an interesting exercise based on my previous posts on color.
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